For American movies, we have the Oscar awards for the best films and the Emmy Awards for television. In Canada, there’s the Canadian Screen Awards that also covers Canadian television. In the U.K, they have the BAFTA awards and in France, a movie can win the César.
Music wins Grammy awards in the USA and Junos in Canada, the unimaginatively named Brit awards in the UK.
Books have awards as well. Each year, there are various award prizes that shave the nominees down to a long list and then a short list before awarding a winner. There are a lot of different prizes. A LOT. Even the “big” prizes are plentiful. There are local and regional prizes all over the place but the best known national and international competitions are:
Nobel Prize (International)
Pulitzer Prize (America, various media and literary categories)
Man Booker Prize (Fiction, published in the UK, also an International prize, translated from any language to English)
Other well known awards are:
Bailey’s Women’s Prize for Fiction (Fiction, by women, published in the UK in English)
Scotiabank Giller Prize (Fiction, Canada)
The Walter Scott Prize (Historical fiction, UK, Ireland, Commonwealth)
The RBC Taylor prize (Canada, non-fiction)
National Book Awards (America, various categories)
The Edgar Allen Poe award (mystery)
The Governor General’s Literary Award (various categories, Canada only)
Irish Book Awards (Fiction, Ireland, various categories)
Hugo (Science Fiction/Fantasy, International) and Nebula (same, but for the USA)
Those are the ones I’m most familiar with. Wikipedia has quite a long list of competitions here, from all over the world. There are several dozen awards for debut novels which is something every new writer would love to win. Most or all of these award cash prizes and they are all prestigious.
I follow the Bookers, the Gillers and glance in at the Governor General’s awards and the Irish Book awards. I will obviously back any Canadian writers in the Booker prize which is open to any book published in the UK in English. The next two (Giller and GG) are Canadian awards and I am a fan of some Irish writers. One thing I like about these various awards is their long list of nominees. If I want to try something by an author new to me, I can spend hours perusing the lists of current and past years’ awards looking at book descriptions. I have found some excellent books in this manner.
I planned to write here about the Historical Fiction book awards, from the Walter Scott prize, but it’s already gotten away from me! Historical fiction is probably my top favourite reading category. I love history and always have. I was lucky to have a very good history teacher in junior high school who made it really interesting.
For historical fiction, I’m not referring to the so-called “bodice ripper” books, the historical romances with a standard issue story, full of cliches and turgid euphemisms for the “act” and various body parts. I’m referring to stories that take place anywhere from 50 to hundreds of years ago. It may depict real historical figures or it may not and there may be romance involved but this isn’t always the case. I don’t mind a romance, if it’s written well, with good characters, plausible plot points and the occasional spicy scene. Diana Gabaldon’s Outlander series is a perfect example of how to do it.
Unfortunately, it’s not straightforward finding the past long lists at their website. You have to spend time going through the news archives for announcements rather than having the past winners and lists easily accessible. Thank heavens for Wikipedia!
Another favourite HF author of mine is Sharon Kay Penman who has written about various British and Welsh periods in the past. She has a trio of books on the last Welsh kings and princes during the 13th century, the conflict between King Edward 1 and Wales. She has a series on the Plantagenets and on the Wars of the Roses and has also written some medieval mysteries which are quite good. One of those was a finalist for an Edgar award, too.
The first of hers that I ever read was When Christ and His Saints Slept. This tells the story of the English civil war between King Stephen and Queen Matilda who was the mother of the man who would be Henry II, the first of the Plantagenet kings. What a great book! Her The Sunne in Splendour, her first novel, about the end of the Wars of the Roses, focusing on Richard III is also one of my favourites as are the ones she wrote on Henry II and Eleanor of Aquitaine. She’s very good at including the point of view of various women in her medieval novels, recognizing that they were strong and had much to contribute even though history tends to push the accomplishments and contributions of women to the background.
I’m not sure I have a favourite era for historical fiction though I do tend to lean towards books set in England, Scotland, Wales and Ireland for location. I’m not sure of the strict definition of what is included in historical fiction, but lately I’ve counted anything written from the 1970s backwards. If a book is written now and is about a period of time 40+ years ago, that sounds perfectly reasonable to me. If I read a book that was actually written *in* the 1970s or 1920s or in the 19th century, I don’t count it as HF because it was current fiction when it was written. So if I read Dickens, or Jane Austen, I’d classify the novel as “classic fiction” instead or just fiction, depending on what I thought at the time.
As always, an award winning book doesn’t always appeal to me. Sometimes I feel it’s over-hyped but one book that cleaned up a lot of awards last year was Do Not Say We Have Nothing, by Madeliene Thien. It’s historic fiction taking place in China during the cultural revolution, following three students and their families up to the Tianamen Square confrontations in 1989. It won the Giller and Governor-General and was shortlisted for the Booker., Bailey’s Women’s prize and a few others. That’s most definitely one book that deserved the awards it won. My Goodreads review is here though I don’t think my review does it justice. I’ve spent so much of my reading on the UK past, that it was fascinating to read something from a much more exotic country. Pachinko was also very good and delved into the story of a Korean family that moved to Japan in the early 20th century. It was a bestseller though I don’t think it won any major awards.
Next month, the Scotiabank Giller prize will be awarded in a ceremony in Toronto. I’ve already read one of the shortlisted books, Bellevue Square by Michael Redhill (my review) and have just started I am a Truck by Michelle Winters. I’ve also got Minds of Winter by Ed O’Loughlin to read before the announcement. I have a feeling that none of these three will win. Transit seems to be more of a deep, full-of-themes type novel and that often swings the jury. For me, often, books like that have more theme exploration than actual story and are too slow and philosophical for my taste.
But that’s the beauty of reading. Everyone can find something that appeals to them.
As I like to say: Keep calm and read more books!